In the New Oxford Review, Michael Rose suggests that church architecture must be durable, evoke the heavenly and eternal, and bring the gospel to life. Wow. Three short phrases that are packed with meaning. Unfortunately, we do not pay much attention to this when we sit down to design a building to house the assembly of God's people for worship. I blame architects who impose their thinking or ideas upon churches and building committees so often driven by their slavery to the budget. But more than this, I fault our own confusion about what takes place in worship -- if we are not sure what takes place in the Divine Service, it stands to reason our buildings will reflect that confusion. Take a look at the picture. Confused???
Rose says the building must be durable. Too often we build our buildings today with a view to a lifespan -- this is not something typical of churches only. We build them NOT to last and they show it. I am not strictly speaking of the materials we use but the idea of building a structure designed in a novel way or a trendy style as well as one constructed cheaply. Too many church buildings look like mirrors of a style in architecture that came and went. Unfortunately, these buildings remained and the congregation was forced then to live in a building that screams "fad." I think of buildings I have been in -- A frames, fish styled, round, concrete boxes, etc... They may have been fashionable in their day but they have saddled the people of God with a structure that has not grown over time but, instead, wears like a leisure suit in 2010.
Buildings must be durable because we speak of a God who is our help in ages past and our hope for years to come. The structures we raise must resemble this timeless God and changeless Christ. There is also a practical as well as spiritual reason for building durable structures. Congregations are notorious for not spending money on maintenance and cheaply built structures are cheap to build and costly to maintain. Either we will spend the money now to build credible buildings that will age well or we will spend our future on face lifts for sagging structures and time worn facades.
Rose says that buildings must evoke the heavenly and eternal. Look at the buildings we build and call "church" and tell me what those buildings say. Most of them speak not of God but of us. Our concern most of all is accessibility, comfort, and convenience. I would suggest that these are legitimate concerns but not the primary concerns. We need structures that cause us to look up, away from ourselves, and toward the God of the heavens who has come low to us in Christ. We need structures that emphasize our community gathered around the Word and Table of the Lord -- the central pieces of furniture must be central. I vote for a well placed and significantly sized cross and corpus (crucifix or, at least, a Christus Rex). The building must direct our attention to the place where water marks us for the kingdom, where God sets His table among us, and where the Word is proclaimed that the hearers might be saved.
It would seem that technology drives our structures more than anything else. This is a sad reality. We can use technology without worshiping at this idol altar. Christ must be central and just as the building must be durable and substantial, so the appointments of the Church must be durable and substantial. I vote against novelty (skip the odd shaped altars, fonts, and pulpits over something more timeless -- modern need not be strange or weird).
Rose says the buildings must bring the Gospel to life. Well, what brings the Gospel to us? What imparts to us the power of Christ's life, death, and resurrection? Surely this is an easy question for Lutherans to answer -- the Word and Sacraments. But why does it seem that the Word and Sacraments are not presupposed by those designing these structures? Why do we have chancels too crowded to be useful? Why do we have altar rails so small that the distribution is painfully slow and encumbered by restriction? Why do we have pulpits that are small and mobile (what the Word of God is NOT)? Why do we have structures not amenable to the sound of singing and music, to the voice of proclamation, and to the voice of praise? Acoustics are not a side issue but one of the ways a building is deemed successful or a failure in its purpose as the place for God's people to worship Him. Carpeting and odd shaped buildings work against sound and create the need for sound amplification. If the structure is well designed, sound may need to be reinforced for the sake of some voices, but it need not be amplified in order to be heard (choirs should never need to be miked).
We have a somewhat odd shaped structure (wider than it is deep) but it is traditional and modern at the same time. The acoustics are good and reinforce the music of the liturgy and the preaching that is the center of what we do on Sunday morning. The chancel is large and expansive. It is not perfect but it is not bad. If I would have had my druthers, I would have built something FR Weber would have approved of (his old monograph The Small Church is still a high point for church architecture, in my humble opinion). The appointments are solid and substantial. The stained glass is liturgical. I offer this not as a prototype but as an example of what we should be doing even as I speak of what we should not be doing...
Rev Peters.
ReplyDeleteI know you didn't mean to write, "we sit down to design a building to hose the assembly of God's people for worship." Should really be house the assembly. But in this day and age, as more churches including LCMS preach a social gospel, they really hosing the assembly with nonsense.
Dennis
Sorry... I had the power flicker as posting and thought I had lost the whole piece since the back up was corrupt... but I got it... just pre-spell check version. Thanks for the catch...
ReplyDeleteI was somewhat perplexed that as an illustration to this otherwise article a photograph of a trendy Modern church was used. As an architectural conservator, this church screamed 1980's. I predict that in another decade it will require significant maintenance and look as outdated as a leisure suit.
ReplyDeleteEvery time I see one of those mailers for church products with their interior shots of worship centers, or visit a newly built non-denom evangelical church I am reminded of what Frank Loyd Wright said of his Guggenheim; "It's going to make the Metropolitan Museum look like a Protestant barn." That phrase "Protestant barn" has stuck with me over the years. What better term to describe the nondescript buildings built with function in mind and all the esthetic appeal of a middle school auditoruim. Pleasantly inoffensive, and bereft of a sense of sacred space and reverential awe.
ReplyDeleteAnd then there's the err in the other direction, where no one is able to say no to the architect and you have something akin to Le Courbusier meets "Space Mountain." Churches that are either so stark and/or unusual in their design that neither the ancient liturgy, nor the contemporary praise song seem appropriate. You just don't know what to make of it. And worst of all these sort of designs become dated very quickly.
Impressive buildings that are utterly impossible to maintain, simple cheap structures that start falling apart in less than ten years; been there done that. And don't get me started on what architects and engineers know about accoustics.
Mind you I'm not advocating we all go back to wood framed churches with steeples and bells, I have seen some contemporary designs that are both beautiful awe inspiring and functional. Would that we had more sacred space and less protestant barn.
As I said on another thread, perhaps the Lord knew what he was doing when he told his children to make a tent for Him.
Pr. Peters,
ReplyDeleteI'm working on an STM thesis on Missouri architecture. Where can I source this monograph you referred to favorably? Perhaps we should chat sometime to collect your opinions.
F. R. Webber The Small Church (1939)
ReplyDeleteWritten during the Depression, this is a good guide for small and less expensive churches. Chapters on every feature of small church design are included.
Webber, F. R. (Frederick Roth), 1887-1963
Cleveland, Ohio. : J. H. Jansen, 1939.
xix, 324 p. : ill. ; 26 cm.
Another link to peruse
ReplyDeletehttp://www.adoremus.org/299McNamara.html